28th Aug 2012, BBC’s New Studios, Film Festivals, Online Journals

Hi, hope everyones doing well, just a brief update post.

I’m working on a few different things at the moment. Last month I got to have a look around the the BBC’s new Roath Lock studios too, following a little meeting we had there in preparation for an upcoming project.

A film I worked on a year or so ago called Queensbury Rules got into the Portobello Film Festival. It’ll be screened on Sunday 2nd September. And LoveStruck was selected for the Zebra Poetry Film Festival in Berlin taking place in October, as well as the Auburn International Film Festival for Children and Young Adults in Sydney Australia in September.

I stumbled across interiorsjournal the other day. It’s a little online journal which publishes mini essays on films with particular focus on the layout of a given scene.

I was also quite amused by this. It’s a software instrument that replicates a prepared piano, which was co-created by IRCAM. I’m sure it would give lots of intuitive ways to create interesting sounds, but if I had that kind of money to spare I’d be far more inclined to just spend it on a battered old piano on gumtree….

Ticking Swedish Pedestrian-Crossings

When I was in Stockholm I noticed these ticking pedestrian crossings, which use mechanical clicks to notify when its safe to cross.

(hear recording on soundcloud)

I’m sure to any Swedish people, it must seem strange how fascinated I was by something so mundane. But I found the clockwork ticking of these traffic lights quite delightful and something I definitely wanted to record.

(geotag: 59.329531,18.065675)

The iPhone Jonas Alarm

So there’s this alarm / ringtone on the iphone that my friends and I have affectionately come to know as the ‘Jonas Alarm’, because it sounds like the opening of a happy, smiley, summery Jonas Brothers Song. The other day I happened to have my guitar out when this alarm went off and so I decided to work out exactly how to play it. I know this won’t be particularly relevant or indeed interesting to anyone who doesn’t have an iphone, but here is my online video version of this alarm:

http://www.jackwestmore.co.uk/v/alarm.html

- – -

p.s. just found out, there already is such thing as a Jonas Brothers Alarm: here.
p.p.s. oh and just to be clear – I myself don’t have an iphone. I’m more of an android guy.

the sound of mumbles

The other day I was at the touristy seaside village of Mumbles near Swansea, South Wales (map). Evidently, the autumn weather doesn’t show it off to its full potential. As I was about to leave, the wind along the sea front was so loud and forceful that I just had to make a quick recording of it. Good eh?

(hear on soundcloud)

Shattered

I’ve recently finished work on a short horror film called Shattered. It was made by Keith Huckfield and Harklee Films as a submission for the 2 Days Later film competition. A lot of the score was constructed with long drones and whiny noises and I ended up integrating it with the atmosphere-tracks quite a lot; using the sound of wind and the sea as another texture.

I also played around with recording some foley effects, and had great fun demolishing some vegetables in the pursuit of some good knife sounds.

Anyway, as a brief taster, bellow is a short audio clip of an early draft of the credits music:

(hear on soundcloud)

Toyota and the Overly-Quiet Car

A few weeks ago I stumbled upon the news that Toyota’s hybrid-electric car, the Prius, was in fact too quiet, and plans were announced for it to be installed with a noisemaking device to make it safer around pedestrians. You can hear what this noisemaker sounds like in the video below:

[youtube=http://www.youtube.com/watch?v=3Vy42zphNp4]

(watch on youtube)

The sound of a car has often contributed to its marketing. Whether loud or quiet, advertisers have always managed to turn noise levels into an advantage. But this new development in overly-quiet, electric-powered cars could lead to something far more targeted, where the sound of the engine could be specifically designed as part of the product, and not just an incidental side-effect.

This could not only lead to better sounding cars, but also to a new avenue of audio branding. Car companies would surely love for everyone to recognise their product on the street without even having to look at it. Maybe sharp-eared mechanics can already distinguish between the sound of a Ford and a Honda, but for the rest of us this distinction is untapped. Then again the possibilities for redesigning engine noise might not be quite this rich, and it might not be possible for each make of car to sound recognisably distinct. But even so, there would seem to be more scope for variety than we currently have, even if this was only used as a subversive way of cultivating brand loyalty – after a few years of driving a certain car it might be harder to trust a different make, with an engine that doesn’t ‘sound right’.

For anyone who thinks I’m breathing too much into this, ok, fair enough, its early days yet. But I’d still recommend you watch Julian Treasure‘s five minute talk on sound in business, even if it doesn’t change your mind its definitely worth a watch:

[youtube=http://www.youtube.com/watch?v=rRepnhXq33s]

(watch on youtube)

Duelling Carls

Want to imitate some Alvin Lucier from the comfort of your own home?! – There’s an app for that!

[youtube=http://www.youtube.com/watch?v=t-7mQhSZRgM]

Ok, a cartoon character imitating sounds in a high pitched voice isn’t exactly the same as Lucier’s I Am Sitting in a Room, but I thought it was a fun comparison. (listen here)

Sonar

I’m quite hard to please when it comes to exact synchrony between music and images. I’m sure the abstract animations of Oskar Fischinger were revolutionary at the time, but really have little to do with their soundtracks. Even in modern music videos, sections of close synchrony seldom manage to maintain a coherent relationship between image and music. This seems to only achieve two things: 1) it actually gives greater emphasise the asynchronous elements, and 2) it annoys me.

This video I stumbled across the other day, however, is practically perfect.

Sonar by Renaud Hallée (found via musicofsound)